The Looking Glass. Vol. 22 No. 1 (2019)

<b>Table of Contents:</b><p></p> <ul> <li><a href="https://doi.org/10.26181/29398916">Introduction: "So Long, Farewell, Auf Wiedersehen, Adieu!"</a></li> <li><a href="https://doi.org/10.26181/29398919">When History Becomes a Story: Loty Petrovits-Andrutsopulou's <i>The She-Wolf's Kiss</i></a></li> <li><a href="https://doi.org/10.26181/29398922">A Genre Against Them: Regulating Young Adults Through Literature</a></li> <li><a href="https://doi.org/10.26181/29398925">Equalizing Time: <i>Harry Potter and the Cursed Child</i> as a Retrospective and Prospective Adaptation</a></li> <li><a href="https://doi.org/10.26181/29398928">Paul McCartney in a Hurricane: Pairing If <i>I Ever Get Out of Here</i> and <i>Drowned City</i> in a Content Area Literacy course</a></li> <li><a href="https://doi.org/10.26181/29398931">From nursery rhymes to childlore: orality and ideology</a></li> <li><a href="https://doi.org/10.26181/29398934">From Black Power to Black Lives Matter: Using Rita Williams-Garcia's <i>One Crazy Summer</i> to Navigate Intergenerational Tensions of the Civil Rights Movement(s)</a></li> <li><a href="https://doi.org/10.26181/29398937">News, Announcements and Paper Calls</a></li> </ul>