The Looking Glass. Vol. 21 No. 1 (2018)

<b>Table of Contents:</b><p></p> <ul> <li><a href="https://doi.org/10.26181/29398715">News, Announcements and Paper Calls</a></li> <li><a href="https://doi.org/10.26181/29398718">Introduction - Piratical Play, Islands, Monsters and Walls</a></li> <li><a href="https://doi.org/10.26181/29398721">ChLA Phoenix Award winners - 2019</a></li> <li><a href="https://doi.org/10.26181/29398724">Girls on the High Seas: Piratical Play in Arthur Ransome's <i>Swallows and Amazons</i></a></li> <li><a href="https://doi.org/10.26181/29398727">Real Dragons: Monster Symbolism in Maurice Sendak's <i>Outside Over There</i>, Neil Gaiman's <i>Coraline</i>, and Patrick Ness' <i>A Monster Calls</i></a></li> <li><a href="https://doi.org/10.26181/29398730">Centuries of the Narratological Construction of Gender: <i>Seven Little Australians</i> and <i>The Graveyard Book</i></a></li> <li><a href="https://doi.org/10.26181/29398733">From <i>The Outsiders</i>, Looking In: Using Found Poetry to Explore Genre Conventions in Young Adult Literature</a></li> <li><a href="https://doi.org/10.26181/29398736">Islands in fiction for young people: A brief introduction</a></li> <li><a href="https://doi.org/10.26181/29398739">Peter Sis and The Geography of the Body: Body Image and Movement Metaphors as the Manipulation of Identity in <i>The Wall</i></a></li> </ul>