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Encountering Berlant part one: Concepts otherwise

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posted on 2023-06-14, 00:21 authored by B Anderson, S Aitken, J Bacevic, F Callard, KD Chung, KS Coleman, RF Hayden, S Healy, RL Irwin, T Jellis, J Jukes, S Khan, S Marotta, DK Seitz, K Snepvangers, Adam StaplesAdam Staples, C Turner, J Tse, M Watson, E Wilkinson
In Part 1 of ‘Encountering Berlant’, we encounter the promise and provocation of Lauren Berlant's work. In 1000-word contributions, geographers and others stay with what Berlant's thought offers contemporary human geography. They amplify an encounter with their work, demonstrating how a concept, idea, or style disrupts something, opens up a new possibility, or simply invites thinking otherwise. The encounters range across the incredible body of work Berlant left us with, from the ‘national sentimentality’ trilogy through to recent work on negativity. Varying in form and tone, the encounters exemplify and enact the inexhaustible plenitude of Berlant's thought: fantasy, the case, love, impasse, feel tanks, slow death, ellipses, gesture, attrition, intimate public, ambivalence, style. Part 2 of ‘Encountering Berlant’ focuses on Berlant's most influential concept: ‘cruel optimism’. Across these heterogeneous encounters, Berlant's enduring concern with the tensions and possibilities of relationality and how to enact better forms of common life shine through. These enduring concerns and Berlant's commitment to the incoherence and overdetermination of phenomena are summarised in the Introduction, which also explores how Berlant's work has been engaged with in geography. The result is a repository of what an encounter with Berlant's thought makes possible.

History

Publication Date

2023-03-01

Journal

Geographical Journal

Volume

189

Issue

1

Pagination

(p. 117-142)

Publisher

Wiley

ISSN

0016-7398

Rights Statement

© 2022 The Authors. The Geographical Journal published by John Wiley & Sons Ltd on behalf of Royal Geographical Society (with the Institute of British Geographers). This is an open access article under the terms of the Creative Commons Attribution-NonCommercial License, which permits use, distribution and reproduction in any medium, provided the original work is properly cited and is not used for commercial purposes.

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