Growing, shrinking, white knights and caucus races, infants, piglets and games of croquet; the magical and confusing world that Alice falls into fits snugly within the surrealist dream. Lewis Carroll's fantastic tale of a young girl immersed in a dream world epitomizes many of the goals and ideals of the surrealist movement.
This article compares the illustrations of Carroll's story by John Tenniel and by Salvador Dali, examining how the two styles might present the surrealist vision of the story.
Journal
The Looking Glass : New Perspectives on Children's LiteratureISSN
1551-5680Volume
15Issue
2Publisher
La Trobe UniversitySection Title
Picture WindowAuthor Biography
Siri Hiltz is employed as a research assistant and is a MLIS student at the School of Library, Archival and Information Studies at The University of British Columbia. Her research interests are in art history and information literacy/resources for children and young adults.Date Created
2011-07-22Rights Statement
Essays and articles published in The Looking Glass may be reproduced for non-profit use by any educational or public institution; letters to the editor and on-site comments made by our readers may not be used without the expressed permission of that individual. Any commercial use of this journal, in whole or in part, by any means, is prohibited. Authors of accepted articles assign to The Looking Glass the right to publish and distribute their text electronically and to archive and make it permanently available electronically. They retain the copyright and, 90 days after initial publication, may republish it in any form they wish as long as The Looking Glass is acknowledged as the original source.Data source
OJS data migration 2025: https://ojs.latrobe.edu.au/ojs/index.php/tlg/article/view/275
