Visual sources, capturing aspects of life silenced or left untold in textual accounts, have the potential to offer new, historical understandings of the individual experience of war. During World War I, official war artist James McBey created a series of images of Australian soldiers–Cameliers–on reconnaissance in the Sinai Desert. This article reads a selection of those images, arguing that what they signified and the emotions they aroused can be retrieved historically by considering their multiple contexts. These include not only the social, political, and military environments, but also the cultural imaginaries which the artist shared with his audiences.
Funding
Research for this article was supported by a grant from Pat and Rob Lesslie, daughter and grandson of Camelier and educator George Langley.