Both JK Rowling's Harry Potter series and Suzanne Collins' The Hunger Games trilogy present stories of war for young readers. Both present the action of war directly and then, through the device of the epilogue, raise the personal consequences that follow for the heroes. However, at this final point, they take markedly different approaches to those personal reactions. The ways in which each novel deals with war, violence and the outcomes provides a clear statement of the distinction between children's and young adult literature.
Journal
The Looking Glass : New Perspectives on Children's LiteratureISSN
1551-5680Volume
17Issue
2Publisher
La Trobe UniversitySection Title
JabberwockyAuthor Biography
Isabelle Laskari is a writer from Melbourne, Australia. She completed a degree in journalism at La Trobe University and is currently studying for a Master of Arts (Wrinting and Literature) in Children's and Adolescent Literature at Deakin University. She enjoys writing, singing, teen TV, children's & YA literature, drinking tea and having imaginary conversations with the Bronte sisters.Date Created
2014-05-07Rights Statement
Essays and articles published in The Looking Glass may be reproduced for non-profit use by any educational or public institution; letters to the editor and on-site comments made by our readers may not be used without the expressed permission of that individual. Any commercial use of this journal, in whole or in part, by any means, is prohibited. Authors of accepted articles assign to The Looking Glass the right to publish and distribute their text electronically and to archive and make it permanently available electronically. They retain the copyright and, 90 days after initial publication, may republish it in any form they wish as long as The Looking Glass is acknowledged as the original source.Data source
OJS data migration 2025: https://ojs.latrobe.edu.au/ojs/index.php/tlg/article/view/481
